“this new series is comprised of various shapes, whether they be triangular, rectangular or hexagonal, that are assorted as sets, then hung within a kiln and fired accordingly. through kiln firing, the various curves and surfaces coalesce and unite in succession, thereby creating changing forms. such is my intent.
glaze is applied to each connecting part before firing. then the pieces are suspended in mid-air within the kiln. as the glaze melts through the kiln fires, it crystalizes into glass. thus what is left are “ceramic forms in succession.’”nagae shigekazu
nagae’s latest works, his first since 2005, test the limits of his ingenious porcelain casting techniques, and are the culmination of his extensive experiments and research into the qualities of both clay and fire. called tsuranari no katachi (forms in succession), they are essentially porcelain objects that contain individually casted porcelain shapes that are attached together. after each separate shape is slip-casted through a bisque-firing, they are combined by glazing the joints and suspending the work in mid-air within nagae’s kiln. as the glaze melts and crystalises in the kiln fires, the pieces are successfully attached. yet at the same time, the luscious draping and tapering of his organic curves are borne through “chance” natural kiln effects.