tag:blogger.com,1999:blog-80151050152866718182024-02-19T11:23:05.665-05:00art, life (no separation)Unknownnoreply@blogger.comBlogger1258125tag:blogger.com,1999:blog-8015105015286671818.post-28026282718447703502017-01-03T08:37:00.001-05:002017-01-03T08:37:29.699-05:00M,othering<br />
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<span style="background-color: transparent; font-style: italic; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;"><span style="color: black; font-family: arial, helvetica, sans-serif;"><a data-saferedirecturl="https://www.google.com/url?hl=en&q=http://gallery263.com/exhibitions/upcoming/&source=gmail&ust=1483536332742000&usg=AFQjCNHrxuUttGXSEJt159Z2HvQf3UKN3g" href="http://gallery263.com/exhibitions/upcoming/" style="color: #1155cc;" target="_blank">M/othering</a></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Curated by: </span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">Tereza Swanda and Angela Rose Voulgarelis</span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Featuring work by: </span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">Fletcher Boote, Maya Pindyck, Tereza Swanda, Angela Rose Voulgarelis</span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">On View</span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">:</span><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;"> </span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;"><span class="aBn" data-term="goog_124845282" style="border-bottom: 1px dashed rgb(204, 204, 204); position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">Thursday January 5 - Saturday February 4, 2017</span></span></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Gallery Hours</span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">: W-Sat, <span class="aBn" data-term="goog_124845283" style="border-bottom: 1px dashed rgb(204, 204, 204); position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">12-7pm</span></span>/ Su, event dependent</span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;"><span class="aBn" data-term="goog_124845284" style="border-bottom: 1px dashed rgb(204, 204, 204); position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">Saturday January 14</span></span>; </span><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Reception: </span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;"><span class="aBn" data-term="goog_124845285" style="border-bottom: 1px dashed rgb(204, 204, 204); position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">6-8pm</span></span>, </span><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Artist Talk:</span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">, <span class="aBn" data-term="goog_124845286" style="border-bottom: 1px dashed rgb(204, 204, 204); position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">8-9pm</span></span></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Embroidery Circle: </span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;"><span class="aBn" data-term="goog_124845287" style="border-bottom: 1px dashed rgb(204, 204, 204); position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">Saturday January 21, 11am-1pm</span></span></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Cambridge, MA</span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;"> -- Gallery 263 is pleased to present </span><span style="background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;">M/othering</span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">, a Curatorial Proposal Series exhibition that features recent works by </span><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Fletcher Boote, Maya Pindyck, Tereza Swanda, and Angela Rose Voulgarelis</span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">. These four artists draw on their experiences of motherhood and childhood in relation to the often-complicated dynamics of family relationships, cultural identity, and positions of privilege. They explore these themes through a range of media, driven by questions about inheritance and systems; What continuity is there, if any, between generations? What gets handed down from mother to child? What gets passed from nation to education, or from education to family structure? What images and stereotypes of mothering tend to spread and reproduce?</span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">All four artists featured in </span><span style="background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;">M/othering </span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">have attended art workshops for the past twenty years led by South African artists Rose Shakinovsky and Claire Gavronsky, which encourage reflection on the interconnectivity of social, cultural, and familial experiences. Each artist in this exhibition considers the far-reaching impacts and political implications of everyday notions of “othering” and “mothering” in connection to their own lives. </span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">In her audio series “Like Night and Day,” </span><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Fletcher Boote </span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">explores nuances of domesticity and family through various arrangements of sounds. Recordings from her daily life with young children are the backdrop for compositions which point to the impact of repetition, give relevancy to the unexceptional, and question a hierarchy that qualifies music as one thing and “noise” as an “other.” </span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">In the series “Out of Lezley”, </span><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Maya Pindyck</span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">’s gouache portraits are an elegy to the black lives lost to police brutality in the United States. Working from a media photograph of Lezley McSpadden taken after her son Mike Brown was killed, she renders visible multiple faces that blend source material, medium, and collective grief. </span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Tereza Swanda </span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">works with themes of erasure and recognition. In “Spot Light,” embedded portraits of victims of police brutality are slowly revealed as participants wash their hands. Illuminated with light and color, Swanda preserves and displays these cracked, painful images. </span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;">In her paintings and performance-based work, </span><span style="background-color: transparent; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Angela Rose Voulgarelis</span><span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;"> re-contextualizes notions of “women’s work”. Her paintings are an exploration of the figure in relation to the context of the everyday. In the ongoing project, “Airing Dirty Laundry”, Voulgarelis prompts participation with beginnings of phrases such as “Don’t Be Too…”, or “Not Enough….”, asking visitors to complete the phrase in writing. Voulgarelis then embroiders the responses in public spaces, inviting conversation and exchange.</span></span></div>
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<span style="background-color: transparent; vertical-align: baseline; white-space: pre-wrap;"><span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent; vertical-align: baseline;">Please join us on </span><span style="background-color: transparent; font-weight: 700; vertical-align: baseline;"><span class="aBn" data-term="goog_124845288" style="border-bottom: 1px dashed rgb(204, 204, 204); position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">Saturday January 21st</span></span></span><span style="background-color: transparent; vertical-align: baseline;"> from </span><span style="background-color: transparent; font-weight: 700; vertical-align: baseline;"><span class="aBn" data-term="goog_124845289" style="border-bottom: 1px dashed rgb(204, 204, 204); position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">11am-1pm</span></span></span><span style="background-color: transparent; vertical-align: baseline;"> for an </span><span style="background-color: transparent; font-weight: 700; vertical-align: baseline;">embroidery circle </span><span style="background-color: transparent; vertical-align: baseline;">in relation to the “Airing Dirty Laundry” project. Participants will be provided with instructions and materials. Free and appropriate for all ages and sewing skill levels. Youth must be accompanied by an adult. </span><span style="background-color: transparent; vertical-align: baseline;">Please RSVP with your interest in attending and the number of guests in your party to: </span><a href="mailto:contact@gallery263.com" style="color: #1155cc; text-decoration: none;" target="_blank"><span style="background-color: transparent; text-decoration: underline; vertical-align: baseline;">contact@gallery263.com</span></a><span style="background-color: transparent; vertical-align: baseline;">. The date of this event coincides with the Women’s March on Washington D.C. We invite you to join us at Gallery 263 in solidarity.</span></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span style="background-color: transparent;">Gallery 263 looks forward to inviting exchange and dialogue with this powerful exhibition as the first of our <a data-saferedirecturl="https://www.google.com/url?hl=en&q=http://gallery263.com/artist-opportunities/curatorial-proposal-series/&source=gmail&ust=1483536332742000&usg=AFQjCNFJc-Iz1yU3C46LT5wiasK4cX8VZA" href="http://gallery263.com/artist-opportunities/curatorial-proposal-series/" style="color: #1155cc;" target="_blank">Curatorial Proposal Series</a> program in 2017. We hope to see you at the </span><b style="background-color: transparent;">Reception/Artist Talk </b><span style="background-color: transparent;">on </span><b style="background-color: transparent;"><span class="aBn" data-term="goog_124845290" style="border-bottom: 1px dashed rgb(204, 204, 204); position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">January 14th</span></span></b><span style="background-color: transparent;">, or for the </span><b style="background-color: transparent;">Embroidery Circle</b><span style="background-color: transparent;"> on </span><b style="background-color: transparent;"><span class="aBn" data-term="goog_124845291" style="border-bottom: 1px dashed rgb(204, 204, 204); position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">January 21st</span></span>.</b></span></div>
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<span style="font-family: "source sans pro"; font-size: 9pt;"><span style="color: black;"><i>Gallery 263 advances the artistic endeavors of makers and performers, while fostering public engagement, enrichment, and exchange. Functioning as a creative nexus, Gallery 263 provides a contemporary voice for the arts in Cambridge and our regional communities. </i></span></span><i style="color: black; font-family: "source sans pro"; font-size: 9pt;">Gallery 263 exhibits are free and open to the public</i></div>
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Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-72872782526215574282016-12-29T10:52:00.000-05:002016-12-29T10:52:08.062-05:00Instead of washing the grease off the pan<div class="separator" style="clear: both; text-align: center;">
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<br />Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-58662514200238747882016-09-27T17:27:00.001-05:002016-09-27T17:27:53.119-05:00Contagion (Figs)<div class="separator" style="clear: both; text-align: center;">
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<br />Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-69430151299800250032016-05-07T12:47:00.000-05:002016-05-07T12:47:04.300-05:00Dirty Towel Rack<div class="separator" style="clear: both; text-align: center;">
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Appropriated image from the Classical Section of the MET</div>
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With Dirty Studio Towel</div>
<br />Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-62321599318769430702016-04-08T08:10:00.001-05:002016-04-08T08:12:03.719-05:00Art as Advocacy<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/Cc84Tz7k9Sg/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/Cc84Tz7k9Sg?feature=player_embedded" width="320"></iframe></div>
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Part of Vermont College of Fine Arts 2015 Alumni Symposium<br />
https://vcfa.edu/2015-alumni-symposium-videosTerezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-44004679159593420412016-04-03T16:36:00.000-05:002016-04-03T16:36:24.598-05:00How can one entertain the idea that there is something much further to know than the knownI think this relates to your idea of going beyond one's problems.<br />
Would blowing up classical sculpture for example of the Masters of Western Philosophy, would that do it? Would it express something beyond the human condition?Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-9563648696923082622016-04-01T12:52:00.001-05:002016-04-01T12:52:35.322-05:00Who are we without our problemsHow and why do we separate what are the problems and what are the highlights in life? Are they not intertwined and not mutually exclusive? I don't think we have to cling to and identify with our problems. But that is not to erase them all together. (They really can't be erased, the stain will remain.) Problems exist. Sometimes they are there to jolt us out of a current pacifism. They are just another part of the wave of life.<br />
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An unexpected relic<br />
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by Anitra Haendel</div>
Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-82017667272942803202016-03-31T15:25:00.001-05:002016-03-31T15:25:14.354-05:00New York PilgrimageFirst stop:<br />
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1. Dinner but I can't eat. You would have liked the spice.</div>
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2. The shiny object under your grave</div>
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3. Your view</div>
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4. An exchange</div>
<br />Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-86447611115249427132016-03-02T15:17:00.002-05:002016-03-02T15:19:47.863-05:00Clogging the drain<div class="separator" style="clear: both; text-align: center;">
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Clogging the Drain, No. 86224-1, 4, and 5, (Impermanent Resident Series,) 2016 </div>
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Lint, dust and colored pencil on tape, washed </div>
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Site: Washington Wardman Park Marriott, CAA Conference, February 5, 2016</div>
<br />Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-86645706250356805042016-01-05T16:43:00.000-05:002016-01-05T16:43:03.789-05:00Who are we without our problems?<h2 class="rmSubject" style="color: #444444; font-family: 'Segoe UI Light', 'Segoe UI Web Light', 'Segoe UI Web Regular', 'Segoe UI', 'Segoe UI Symbol', HelveticaNeue-Light, 'Helvetica Neue', Arial, sans-serif; font-size: 21.12px; font-weight: normal; line-height: 29.9904px; margin: 0px 0px 13px; padding-top: 2px;">
Who are we without our problems?</h2>
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<pre style="font-family: 'Segoe UI', 'Segoe UI Web Regular', 'Segoe UI Symbol', 'Helvetica Neue', 'BBAlpha Sans', 'S60 Sans', Arial, sans-serif; line-height: 21.3px; white-space: normal;">I'm at the Guggenheim in New York, at the Burri show. It's magnificent, as a workshopper described to me a few days ago. I couldn't agree more.
When I first saw Burri's Cloth I thought I understood it. I knew it, instantly. I felt like it was a beautiful "fuck you" to the Art Establishment. Pretty major projection on my part. I mean, I grew up lower middle class and had a big chip on my shoulder about "everyone else" who had money, who seemingly had more opportunities because they weren't as bad off as I was. Super self centered, and embarrassingly superficial, but that's how I was. So when I saw Burri's cloth, I felt like finally someone who is using meaningful materials to say something sharp, simple, poetic, and spot on about something simple. His is a big gesture using a very little gesture. Just some gold leaf on a sack cloth. Nothing more than some stitches. But then see what happens when he does that: majesty.
20 years on I hope to have lost some of that edge. I understand these works on very different ways. I've never seen so many at one time before.
So who am I without my perceived problem of being 'poor'? What can I contribute? What do I have to say?</pre>
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Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-76974683517737734822016-01-03T13:46:00.000-05:002016-01-03T13:46:24.852-05:00A History of the Months and the Meanings of their Names<h1 style="background-color: white; font-family: 'Segoe UI Light', 'Segoe UI Web Light', 'Segoe UI Web Regular', 'Segoe UI', 'Segoe UI Symbol', HelveticaNeue-Light, 'Helvetica Neue', Arial, sans-serif; font-size: 22.5px; font-weight: normal; line-height: 31.95px; margin: 0px 0px 5px;">
<span style="color: #444444; font-size: 11pt; line-height: 20.8267px;">A History of the Months</span></h1>
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<span style="font-size: 11pt; line-height: 20.8267px;">The original Roman year had 10 named months <i style="line-height: 20.8267px;">Martius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "March", <i style="line-height: 20.8267px;">Aprilis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "April", <i style="line-height: 20.8267px;">Maius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "May", <i style="line-height: 20.8267px;">Junius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "June", <i style="line-height: 20.8267px;">Quintilis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "July", <i style="line-height: 20.8267px;">Sextilis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "August",<i style="line-height: 20.8267px;">September</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "September", <i style="line-height: 20.8267px;">October</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "October", <i style="line-height: 20.8267px;">November</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "November", <i style="line-height: 20.8267px;">December</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "December", and probably two unnamed months in the dead of winter when not much happened in agriculture. The year began with <i style="line-height: 20.8267px;">Martius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "March". Numa Pompilius, the second king of Rome circa 700 BC, added the two months <i style="line-height: 20.8267px;">Januarius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "January" and <i style="line-height: 20.8267px;">Februarius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "February". He also moved the beginning of the year from <i style="line-height: 20.8267px;">Marius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> to <i style="line-height: 20.8267px;">Januarius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> and changed the number of days in several months to be odd, a lucky number. After <i style="line-height: 20.8267px;">Februarius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> there was occasionally an additional month of <i style="line-height: 20.8267px;">Intercalaris</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "intercalendar". This is the origin of the leap-year day being in February. In 46 BC, Julius Caesar reformed the Roman calendar (hence the Julian calendar) changing the number of days in many months and removing <i style="line-height: 20.8267px;">Intercalaris</i></span><span style="font-size: 11pt; line-height: 20.8267px;">.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">January -- Janus's month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Middle English <i style="line-height: 20.8267px;">Januarie</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Januarius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "of Janus"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Janu(s)</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "Janus" + -<i style="line-height: 20.8267px;">arius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "ary (pertaining to)"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Januarius mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "month of Janus"</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">Janus is the Roman god of gates and doorways, depicted with two faces looking in opposite directions. His festival month is January.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">Januarius had 29 days, until Julius when it became 31 days long.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">February -- month of Februa</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Middle English <i style="line-height: 20.8267px;">Februarius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Februarius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "of Februa"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Februa(s)</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "Februa" + -<i style="line-height: 20.8267px;">arius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "ary (pertaining to)"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Februarius mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "month of Februa"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">dies februatus</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "day of purification"</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">Februarius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> had 28 days, until circa 450 BC when it had 23 or 24 days on some of every second year, until Julius when it had 29 days on every fourth year and 28 days otherwise. Februa is the Roman festival of purification, held on February fifteenth. It is possibly of Sabine origin.</span></div>
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<b style="line-height: 21.3px;">February</b><span style="line-height: 21.3px;"> was originally the last month of the year. It is named after "februa," the plural of the Roman word "februum" for purification. The Roman festival of purification was held during that month. Originally it was a festival for preparing for the new year as well as for the new planting season. The gods and ancestors had to be pleased so that fertile fields would follow. They, therefore, made atonement or reparations for wrongs done during this month.</span></div>
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Februarius, a Month of Purification</h3>
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<span style="font-size: 11pt; line-height: 20.8267px;">Like January, February was not originally in the earliest Roman calendar system.</span></div>
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<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">To complete the calendar year, the Romans inserted a blank numberr of days or an occasional intercalary month in the “dead” season of midwinter, between the last month of the year (December) and the first month of the next year (March).</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">Tradition says that Numa Pompilius, the legendary second Roman king (<i style="line-height: 20.8267px;">circa</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> 715-672 B.C.; AUC 39-82) added the months of Januarius (<i style="line-height: 20.8267px;">Ianuarius</i></span><span style="font-size: 11pt; line-height: 20.8267px;">) and Februarius for the previously unnamed period.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">Julius Caesar revised the lengths of the months in his calendar reform.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">He gave February 28 days, except for every fourth year, when it had an extra day between February 23 and 24 (not at the end of the month as it is now).</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">The name, <b style="line-height: 20.8267px;">Februarius</b></span><span style="font-size: 11pt; line-height: 20.8267px;">, came about because of the Roman ceremonies for religious purification and expiation which took place during that month in anticipation of the new year; which originally began on March 1.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">The most important festival in February was the <b style="line-height: 20.8267px;">Lupercalia</b></span><span style="font-size: 11pt; line-height: 20.8267px;">, the ancient feast of fruitfulness, or fertility, on February 15.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">The Lupercalian festival was an ancient fertility rite whose origins are lost in antiquity and may even predate civilization.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">These religious rites were under the supervision of a group of priests called the <b style="line-height: 20.8267px;">Luperci</b></span><span style="font-size: 11pt; line-height: 20.8267px;"> that was divided into two colleges called <b style="line-height: 20.8267px;">Quinctillani</b></span><span style="font-size: 11pt; line-height: 20.8267px;"> and<b style="line-height: 20.8267px;">Fabiani</b></span><span style="font-size: 11pt; line-height: 20.8267px;"> and each was in charge of a master (<i style="line-height: 20.8267px;">magister</i></span><span style="font-size: 11pt; line-height: 20.8267px;">).</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">In 44 B.C., a third college, the <b style="line-height: 20.8267px;">Luperci Iulii</b></span><span style="font-size: 11pt; line-height: 20.8267px;">, was established in honor of Julius Caesar; and on February 15 of that year, Mark Antony, as its magister, offered to make Caesar king, just a month before Caesar’s assassination.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">The <b style="line-height: 20.8267px;">Lupercalian</b></span><span style="font-size: 11pt; line-height: 20.8267px;"> rites began as the priests gathered in the cave of Lupercal on the southwestern part of the Palatine Hill.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">There the priests sacrificed goats and a young dog to the god Faunus, after which the foreheads of two youthful Luperci of high rank were smeared with the blood of the victims.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">Later the blood was wiped off with wool dipped in milk, then the ritual required the two young men to laugh.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">After a sacrificial feast, they stripped themselves naked and put on a “loin skin” from the skins of the slain goats.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">Holding strips of the hides, they ran around the walls of the old Palatine community, hitting or snapping at all of those they came close to, especially women; an action which was believed to bring fertility, even to barren women, and a safe delivery in childbirth.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">The goat-skin thongs were called <b style="line-height: 20.8267px;">februa</b></span><span style="font-size: 11pt; line-height: 20.8267px;">, purifiers, which was derived from <b style="line-height: 20.8267px;">februo</b></span><span style="font-size: 11pt; line-height: 20.8267px;">, to purify, and the day of purification.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">William Shakespeare made use of the “Feast of the Lupercal” when he had Julius Caesar tell his barren wife, Calphurnia, to “Stand you directly in Antonio’s way when he doth run his course.” Then he instructed Mark Antony, “Forget not in your speed, Antonio, to touch Calphurnia; for our elders say, the barren, touched in this holy chase, shake off their sterile curse.” <i style="line-height: 20.8267px;">Julius Caesar</i></span><span style="font-size: 11pt; line-height: 20.8267px;">, Act I, Scene ii, lines 3-9.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;"><span style="font-size: 11pt; line-height: 20.8267px;">The Lupercalia was observed well into the Christian era. It is said that Pope Gelasius I introduced the Feast of the Purification of the Virgin Mary, called Candlemas in A.D. 494, to counteract the excesses of the pagan celebrations of the Lupercalia.</span></li>
<li class="ecxMsoNormal" style="line-height: 21.3px; margin: 0px 0px 3px;">The Saxons called the month of February <b style="line-height: 21.3px;">Sol-monath</b><span style="line-height: 21.3px;"> in recognition of the returning strength of the sun.</span></li>
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<span style="color: red; font-size: 12pt; line-height: 22.72px;">LUPERCALIA</span><span style="font-size: 12pt; line-height: 22.72px;"></span></h2>
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The Lupercalia was celebrated on the fifteenth day before the kalends of March (February 15th). One unusual aspect of this festival was that it was not associated with a temple of a god. First of all, the Romans themselves were a bit confused about which god this holiday honored. Was it Lupercus, or Inuus, or Faunus? No one was absolutely certain, but that did not prevent this popular festival from being celebrated. The focal point of this festival was a site on the Palatine hill: the Lupercal, the cave in which, according to legend, the wolf suckled Romulus and Remus, as depicted in this famous statuary group (the wolf is fifth century BC, but the twins were added in the early 16th century AD).</div>
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<br style="line-height: 21.3px;" /> <span style="line-height: 21.3px;"> </span>The Lupercalia recalled the primitive days of Rome's existence, when, according to Roman tradition, a small community of shepherds lived in thatched huts on the Palatine hill, ruled by the founder of Rome, Romulus. Dionysius of Halicarnassus tells us that in his day (first century BC), one of these huts, made out of sticks and reeds, stood on the slope of the Palatine toward the Circus Maximus. This hut was honored as a sacred place and was kept in good repair (<i style="line-height: 21.3px;">Roman Antiquities </i><span style="line-height: 21.3px;">1.79.11). <br style="line-height: 21.3px;" /> <span style="line-height: 21.3px;"> </span></span></div>
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This primitive settlement, however, was more than just a popular tradition; modern archaeology has discovered the post holes of huts dating to the eighth century BC (the traditional date of Rome's foundation was 753 BC). It seems probable that the name of the festival was derived from <i style="line-height: 21.3px;">lupus</i><span style="line-height: 21.3px;"> ("wolf"). This derivation makes sense for a festival that was connected with a settlement of shepherds, whose most feared predator was the wolf.</span></div>
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In general, the ancients viewed the Lupercalia as a purification and fertility rite. The ritual involved the sacrifice of goats and a dog in the Lupercal by priests called <i style="line-height: 21.3px;">Luperci,</i><span style="line-height: 21.3px;"><sup style="line-height: 17.75px;">1</sup>who smeared the foreheads of two noble young men with the blood of the sacrificed animals and then wiped it off. At this point, the youths were required to laugh. Then the </span><i style="line-height: 21.3px;">luperci</i><span style="line-height: 21.3px;">, clothed in loincloths, ran about the area, lashing everyone they met with strips of skin from the sacrificed goats. Young wives were particularly eager to receive these blows, because it was believed that the ritual promoted fertility and easy childbirth. These ceremonies were accompanied by much revelry and drinking.</span></div>
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The Lupercalia was so popular that it survived the onset of Christianity, but in a different form. In 494 AD, the Pope made February 15 the feast of the Purification of the Virgin Mary<b style="line-height: 21.3px;">.</b><span style="line-height: 21.3px;"> <br style="line-height: 21.3px;" /> </span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">Intercalaris -- inter-calendar month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Latin <i style="line-height: 20.8267px;">Intercalaris</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "inter-calendar"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Mercedonius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> (popular name) "?"</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">Intercalaris</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> had 27 days until the month was abolished by Julius.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">March -- Mars' month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Middle English <i style="line-height: 20.8267px;">March(e)</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Anglo-French <i style="line-height: 20.8267px;">March(e)</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Old English <i style="line-height: 20.8267px;">Martius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Martius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "of Mars"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Marti(s)</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "Mars" + -<i style="line-height: 20.8267px;">us</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> (adj. suffix)<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Martius mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "month of Mars"</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">Martius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> has always had 31 days.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">March was the original beginning of the year, and the time for the resumption of war.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">Mars is the Roman god of war. He is identified with the Greek god <a href="http://info.desy.de/gna/interpedia/greek_myth/olympian.html#Ares" style="color: #0068cf; cursor: pointer; font-weight: inherit; line-height: 20.8267px;" target="_blank">Ares</a>.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">April -- Aphrodite's month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Old English <i style="line-height: 20.8267px;">April(is)</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Aprilis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Etruscan <i style="line-height: 20.8267px;">Apru</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Greek <i style="line-height: 20.8267px;">Aphro</i></span><span style="font-size: 11pt; line-height: 20.8267px;">, short for <i style="line-height: 20.8267px;">Aphrodite</i></span><span style="font-size: 11pt; line-height: 20.8267px;">.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">Aprilis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> had 30 days, until Numa when it had 29 days, until Julius when it became 30 days long.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><a href="http://info.desy.de/gna/interpedia/greek_myth/olympian.html#Aphrodite" style="color: #0068cf; cursor: pointer; font-weight: inherit; line-height: 20.8267px;" target="_blank">Aphrodite</a> is the Greek goddess of love and beauty. She is identified with the Roman goddess Venus.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">May -- Maia's month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Old French <i style="line-height: 20.8267px;">Mai</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Old English <i style="line-height: 20.8267px;">Maius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Maius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "of Maia"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Maius mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "month of Maia"</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">Maius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> has always had 31 days.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">Maia (meaning "the great one") is the Italic goddess of spring, the daughter of Faunus, and wife of Vulcan.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">June -- Juno's month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Middle English <i style="line-height: 20.8267px;">jun(e)</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Old French <i style="line-height: 20.8267px;">juin</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Old English <i style="line-height: 20.8267px;">junius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Junius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "of Juno"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Junius mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "month of Juno"</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">Junius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> had 30 days, until Numa when it had 29 days, until Julius when it became 30 days long.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">Juno is the principle goddess of the Roman Pantheon. She is the goddess of marriage and the well-being of women. She is the wife and sister of Jupiter. She is identified with the Greek goddess <a href="http://info.desy.de/gna/interpedia/greek_myth/olympian.html#Hera" style="color: #0068cf; cursor: pointer; font-weight: inherit; line-height: 20.8267px;" target="_blank">Hera</a>.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">July -- Julius Caesar's month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Middle English <i style="line-height: 20.8267px;">Julie</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Julius</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "Julius"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Julius mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "month of Julius"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">quintilis mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "fifth month"</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">Quintilis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> (and later <i style="line-height: 20.8267px;">Julius</i></span><span style="font-size: 11pt; line-height: 20.8267px;">) has always had 31 days.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">Julius Caesar reformed the Roman calendar (hence the Julian calendar) in 46 BC. In the process, he renamed this month after himself.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">August -- Augustus Caesar's month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Latin <i style="line-height: 20.8267px;">Augustus</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "Augustus"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Augustus mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "month of Augustus"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">sextilis mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "sixth month"</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">Sextilis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> had 30 days, until Numa when it had 29 days, until Julius when it became 31 days long.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">Augustus Caesar clarified and completed the calendar reform of Julius Caesar. In the process, he also renamed this month after himself.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">September -- the seventh month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Middle English <i style="line-height: 20.8267px;">septembre</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">September</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">septem</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "seven" + <i style="line-height: 20.8267px;">-ber</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> (adj. suffix)<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">september mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "seventh month"</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">September</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> had 30 days, until Numa when it had 29 days, until Julius when it became 30 days long.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">October -- the eighth month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Middle English <i style="line-height: 20.8267px;">octobre</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">October</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">octo</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "eight" + <i style="line-height: 20.8267px;">-ber</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> (adj. suffix)<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">october mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "eighth month"</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">October</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> has always had 31 days.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">November -- the nineth month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Middle English <i style="line-height: 20.8267px;">Novembre</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">November</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">Novembris mensis</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "nineth month"</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">Novembris</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> had 30 days, until Numa when it had 29 days, until Julius when it became 30 days long.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">December -- the tenth month</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">Middle English <i style="line-height: 20.8267px;">decembre</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Old French <i style="line-height: 20.8267px;">decembre</i></span><span style="font-size: 11pt; line-height: 20.8267px;"><br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">december</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "tenth month"<br style="line-height: 20.8267px;" />Latin <i style="line-height: 20.8267px;">decem</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> "ten" + <i style="line-height: 20.8267px;">-ber</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> (adj. suffix)</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;"><i style="line-height: 20.8267px;">December</i></span><span style="font-size: 11pt; line-height: 20.8267px;"> had 30 days, until Numa when it had 29 days, until Julius when it became 31 days long.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">Sources</span></h2>
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<span style="font-size: 11pt; line-height: 20.8267px;">These sources are somewhat inconsistent. I have chosen interpretations that are predominate among sources or that seem most reasonable.</span></div>
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<span style="font-size: 11pt; line-height: 20.8267px;">William Morris, editor, <cite style="line-height: 20.8267px;">The American Heritage Dictionary of the English Language</cite>, New College Edition, Houghton Mifflin Company, Boston, 1976</span></div>
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<cite style="line-height: 21.3px;"><span style="font-size: 11pt; line-height: 20.8267px;">Webster's Encyclopedic Unabridged Dictionary of the English Language</span></cite><span style="font-size: 11pt; line-height: 20.8267px;">, Portland House, New York, 1989</span></div>
<div style="background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em;">
<span style="font-size: 11pt; line-height: 20.8267px;">William Matthew O'Neil, <cite style="line-height: 20.8267px;">Time and the Calendars</cite>, Sydney University Press, 1975</span></div>
Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-31668093989437762262015-12-03T15:20:00.000-05:002015-12-03T15:20:14.113-05:00Things we carry, embed into soap dust<br />
phrases- in relation to capitalism<br />
words like:<br />
marriage<br />
mother/whore (sides of the same soap)<br />
you/me (sides of the same soap)<br />
time<br />
hierarchy<br />
colors- in relation to childhood toys<br />
sand<br />
pencil shavings<br />
a wall of neutrals<br />
embed images<br />
police brutality in the US<br />
Syrian refugees in Europe<br />
<br />
Lennon's "Happy Christmas (War is Over)" plays in the studio<br />
<br />
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<br />Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-20238343049457659362015-11-10T08:31:00.000-05:002015-11-10T08:31:37.778-05:00Back and frontHello dear Tereza,<br />
I'm back online, and can start posting again.<br />
Thank you for continuing the work and conversation even in my absence<br />
<br />
With love,<br />
Angela<br />
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-46210334535185981122015-10-31T13:26:00.000-05:002015-10-31T13:26:15.138-05:00Questions for the man, An aberration<div class="separator" style="clear: both; text-align: center;">
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<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">Questions for the man: <o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">Is this life working for you?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">Why do you strut in this manner?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">Wanna take a walk?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">Without the facade, can you talk?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">What made you this way?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">Where does your entitlement come from?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">Are you content?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">What is the purpose of your day?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">What is your purpose?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">How far do you see?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">How do you see?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">Do you see the grass? The ripples on water?<o:p></o:p></span></div>
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<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: 12pt;">Why do you want to end your life?</span></div>
Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-91835486539428905842015-10-19T19:23:00.001-05:002015-10-19T19:23:26.952-05:00On Creativity, David Bohm<div class="separator" style="clear: both; text-align: center;">
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<br />Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-88487935879481142522015-10-19T11:48:00.001-05:002015-10-19T11:48:51.699-05:00Un-defining Creativity<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">Tereza
Mazur <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">Dr.Vinograde<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">EdPs
620 Human Development<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">July
12-16, 2004<o:p></o:p></span></div>
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<span style="font-size: 14.0pt; mso-bidi-font-size: 10.0pt;">Un-defining C r e a t i v i
t y<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">Stretching the Rules We Bind
Ourselves With<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">Sounds of
water spraying, birds chirping above, and wind rustling in the trees along with
the sound of children playing in the park are just a slight vision of our
understanding of creativity. The air
that passes through, in and out of our lungs even when we are not focused on
the process is a natural part of our organism making up this magical creation.
Many of the activities we do when we are absorbed in the present qualify as
part of the creative process: a boy jumping continuously reaching the monkey
bars, my hand writing upon this paper.
To become aware of the natural beauty is our only mission and a desperate
need if we want to create a different world from this one. Why the pressing
urgency?<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">" Most
of us have lost touch with nature. Civilization is tending more and<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">more toward
large cities. We are becoming more and more an urban people, living in crowded
apartments and having very little space even to look at the sky of an evening
and morning, and therefore we are losing touch with a great deal of
beauty" (Krishnamurti, 1983, p.33-34).<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;"> Creativity
is. "But thought in itself is
limited, therefore whatever it does is limited" (Krishnamurti, 1983,
p.16). Initially, we act creatively very
well, as young infants not acquiring knowledge but simply absorbing it (Gardner,
1993).<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">Later we come close to this ideal
through our potential in the arts, sciences and through<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">spirituality. We want to know. What we are faced with is a vast expanse of
the unknown. We feel a part of this
vastness yet at the same time our universe cannot be conceived in our current
minds (Krishnamurti, 1983, p.25). Reasoning makes a theory fixed, inflexible
and this is not how the universe functions.
It is ever changing, limitless, organic and creative in nature, as are
all things within it. Many of our greatest
minds have followed this flow being centered in their nature. For example, Gardner (1993) states of
Einstein,<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">"Einstein
was a man of seeming contradictions: an individual in some ways young, in other
ways mature beyond his years; a nonbeliever who spent much time thinking about God;
a pacifist who stimulated the production of the most deadly weapon in history;
a scientific radical who spent his last years seeking to refute the radical new
scientific paradigm; a scientist whose own standards as a theoretician were
quintessentially aesthetic; an individual obsessed by the physical world, who
pondered timeless matters as well as the concept of time, yet also one who
devoted many hours to addressing the mundane problems <o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">that beset
the humans of his era" (Gardner, 1993, p.130).<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;"> How do we, like Einstein, get closer to just
being and inadvertently knowing, sensing, living our potential? We have our hints in the child within when we
were closest to our natural, pure, fresh selves. When we were not concerned
with knowing although we learned more in those years than we do throughout our
entire life. Einstein himself declared "that we know all the physics that
we will ever need to know by the age of three" (Gardner, 1983, p.89). The more we learn to be in this absorbed
state, naturally, <o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">through the practice of such
activities as meditation or even running, the more open we will be to creative
energy as it flows throughout the world.<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;"> If
the concept of thinking back to the time when we were young does not remind us
of our potentialities, we are only to look upon the children around us
today. When working with and around very
young children, before our forced structure alters their nature, these young
ones shed great light on our tarnished society.
They explore genuinely as well as laugh and cry with all their heart. And still see the beauty of a flower or a
leaf. They can create the most beautiful, peaceful world that we innately have
within us. Too bad we have not yet
learned to listen and see children, thinking them smaller and therefore less. Their potential is hugely undermined. We set our limits upon their learning in an
outlined time frame that often does not correlate with their, or our for that
matter, inner creative cycle.<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;"> "From
some points of view education has done its task; looking around us <o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">today,
we can see great material gains. But serious
questions can be raised <o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">about how
much we have been able to educate beyond the making and consuming of objects.
Have we in our educational system really put emphasis upon human values? Or
have we been so blinded by the material rewards that we have failed to
recognize that the real values of a democracy lie in its most precious good,
the individual?" asks Viktor Lowenfeld in the art educator's bible, <i>Creative and Mental Growth,</i> p.3.<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;"> How
do we in this society come to adulthood with our artist-self intact? When and
how do we loose those childhood ideals and the sight of our infinite potential?
And most importantly through rediscovering ourselves is it possible to create
something different <o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">for us than our concrete-mechanical
jungle? On these topics I can only speak
from <o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">Page 3 of 5<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">my heart through my own
experience. I entered the art class on a
whim my senior year in high school, very late in terms of going on with this
career. I found myself utterly absorbed,
and being alone, without my best friend and sister who moved half way around
the world, art became a source of support.
I drew from what I knew throughout the next decade or so and this being
mostly suffering, I created only that in my work. Images came from horrors found in newspapers;
the process was used as a source of coping.
Sacrificing myself for the pain of others, I thought, was the most love
I could give. In reality it was an
escape of the source of pain within myself and a lack of compassion for my own
suffering, feeling it relative to everyone else's. This dual thinking made a
separation and kept everybody at a distance, seeing everyone as an
'other'. In Cape Town I glimpsed the
rays of everyone's light even through centuries of blockage and restraint. It is thanks to the process in and of South
Africa that I paralleled after listening, converting my pain, healing. I am now
free to create the kind of world I want to see. <o:p></o:p></span></div>
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<i><span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;"> </span></i><span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">Through my experience of teaching
art for the past three years to over twelve hundred youngsters between the ages
of five and thirteen, I have been privileged to observe children at play.
Through this I conjured up a feeling of pure delight. With the help of children, I have seen an
aspect of my true potential of being a teacher, of being a beautiful human
being. Our children and we need a
creative environment to develop in. Their life is too short, as is ours. Through just this our world can turn into an
entirely positive place. Let's support ourselves in this continuous growth!<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">Tereza Mazur <o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">Dr.Vinograde<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">EdPs
620 Human Development<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">July
12-16, 2004<o:p></o:p></span></div>
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<span style="font-size: 14.0pt; mso-bidi-font-size: 10.0pt;">Un-defining C r e a t i v i
t y<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">Stretching
the Rules We Bind Ourselves With<o:p></o:p></span></div>
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<u><span style="font-size: 12.0pt; line-height: 200%; mso-bidi-font-size: 10.0pt;">NOTES<o:p></o:p></span></u></div>
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<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">Gardner,
Howard. <u>Creative minds: An Anatomy of Creativity Seen Through the Lives of
Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Ghandi.</u>
BasicBooks, 1993, 87-131.<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">Krishnamurti,
Jiddu. <u>On Nature and the Environment.</u> Star Publishing, 1983, 33-39.<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">Krishnamurti,
Jiddu and David Bohm. <u>The Future of Humanity: A Conversation.</u> Harper
& Row, 1986, 5-51.<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt;">Lowenfeld,
Viktor and W. Lambert Brittain. <u>Creative and Mental Growth: Fifth Edition.</u>
The Macmillan Company, 1970, 1-19.<o:p></o:p></span></div>
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Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-26889002613756303932015-10-12T12:22:00.000-05:002015-10-12T12:22:18.399-05:00Bruised<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibqfHx05bG7xvwa03q6VKi60pdPSy3aG6kuCtcMzaKDAJyFHDXPSz2tqqw7EXEI0sDTjI9vBdDyn910ECxgLIv3lNmQIs-Oz4RV3qR24IC4ft1ejfaH4amzlrXwtgDl8qgrasiOwqAhR8/s1600/for-web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibqfHx05bG7xvwa03q6VKi60pdPSy3aG6kuCtcMzaKDAJyFHDXPSz2tqqw7EXEI0sDTjI9vBdDyn910ECxgLIv3lNmQIs-Oz4RV3qR24IC4ft1ejfaH4amzlrXwtgDl8qgrasiOwqAhR8/s640/for-web.jpg" width="640" /></a></div>
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<div style="background-color: rgba(0, 0, 0, 0.701961); color: #999999; font-family: Alike; font-size: 13px; line-height: 1.4em;">
<em>Capital Cleanse, Bruised, </em>2015</div>
<div style="background-color: rgba(0, 0, 0, 0.701961); color: #999999; font-family: Alike; font-size: 13px; line-height: 1.4em;">
Cast Soap, Embedded Tape Transfer, Bleeding Ink (left), 2"diameter</div>
<div style="background-color: rgba(0, 0, 0, 0.701961); color: #999999; font-family: Alike; font-size: 13px; line-height: 1.4em;">
Trayvon Martin (Preschool Graduation) Tape Transfer, Bleeding Ink revealed through washing (right), 2 "diameter</div>
<div style="background-color: rgba(0, 0, 0, 0.701961); color: #999999; font-family: Alike; font-size: 13px; line-height: 1.4em;">
<br /></div>
<div style="background-color: rgba(0, 0, 0, 0.701961); color: #999999; font-family: Alike; font-size: 13px; line-height: 1.4em;">
In <em>Bruised</em>, I look at the victims of police brutality and their families. I embed their image, printed directly from the internet, within soap. (Please see Capital Cleanse.) The image bruises, stains and cuts right into this soft material which is revealed as participant washes his or her hands. The project was installed at Vermont College of Fine Arts as part of "Art as Advocacy."</div>
Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-56648985812706241232015-10-12T09:00:00.003-05:002015-10-12T09:00:24.557-05:00Art for EveryoneSoon to be available on PDF for free.<br />
http://www.statesmanjournal.com/story/news/education/2015/10/05/chemeketa-creates-own-version-200-textbook-18/72976042/Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-83578188429035760172015-10-12T08:59:00.001-05:002015-10-12T08:59:14.924-05:00Cards Against BrutalityThese should be in all High School/College Courses throughout the US.<br />
http://cardsagainstbrutality.com/<br />
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<br />Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-3420991451241021342015-08-30T08:41:00.000-05:002015-08-30T08:41:04.597-05:00A Change Is Gonna Come, (no more barking)<div class="separator" style="clear: both; text-align: center;">
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<span id="goog_1351030527"></span><span id="goog_1351030528"></span><span id="goog_202107765"></span><span id="goog_202107766"></span><br />Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-6150165801548304422015-08-28T09:29:00.002-05:002015-08-28T09:29:56.080-05:00Exquisite Corpse IIWhat a lovely thought to do this exercise. In terms of dialogue, I found today this video. I love the stillness and have been listening to their voices during today's class. Fascinating conversation and how they relate!<br />
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and <i>Capital Cleanse </i>at Augusta Savage Gallery this October</div>
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https://fac.umass.edu/Online/default.asp?BOparam::WScontent::loadArticle::permalink=ASGCallSub</div>
<br />Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-81010952802851434602015-08-05T21:05:00.000-05:002015-08-05T21:05:18.465-05:00Century of the Self<iframe allowfullscreen="" frameborder="0" height="270" src="//www.dailymotion.com/embed/video/x2j2sfp" width="480"></iframe><br /><a href="http://www.dailymotion.com/video/x2j2sfp_the-century-of-the-self-part-1-of-4-happiness-machine-480p_tv" target="_blank">The Century of the Self - Part 1 of 4...</a> <i>by <a href="http://www.dailymotion.com/forthedishwasher" nbsp="" p=""><br />
<iframe allowfullscreen="" frameborder="0" height="270" src="//www.dailymotion.com/embed/video/x2j2xh9" width="480"></iframe><br /><a href="http://www.dailymotion.com/video/x2j2xh9_the-century-of-the-self-part-2-of-4-the-engineering-of-consent-480p_tv" target="_blank">The Century of the Self - Part 2 of 4 - The...</a> <i>by <a href="http://www.dailymotion.com/forthedishwasher" nbsp="" p=""><br />
<iframe allowfullscreen="" frameborder="0" height="270" src="//www.dailymotion.com/embed/video/x2j3380" width="480"></iframe><br /><a href="http://www.dailymotion.com/video/x2j3380_the-century-of-the-self-part-3-of-4-there-is-a-policeman-inside-all-our-heads-he-must-be-destroyed-4_tv" target="_blank">The Century of the Self - Part 3 of 4 - There...</a> <i>by <a href="https://www.blogger.com/null" nbsp="" p=""><br />
<iframe allowfullscreen="" frameborder="0" height="270" src="//www.dailymotion.com/embed/video/x2j38dj" width="480"></iframe><br /><a href="http://www.dailymotion.com/video/x2j38dj_the-century-of-the-self-part-4-of-4-eight-people-sipping-wine-in-kettering-480p_tv" target="_blank">The Century of the Self - Part 4 of 4 - Eight...</a> <i>by <a href="http://www.dailymotion.com/forthedishwasher" nbsp="" p=""><br />
What an interesting series!</a></i></a></i></a></i></a></i>Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-73513541192876956222015-07-22T17:00:00.000-05:002015-07-22T17:00:03.374-05:00Roots<div class="separator" style="clear: both; text-align: center;">
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Ready for use at On The Ground Floor</div>
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http://www.onthegroundfloor.co/roots-installation-view/okeb6zmeexf9oes8o1hpjy4b4hxq7l</div>
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<br />Terezahttp://www.blogger.com/profile/09453720788676043564noreply@blogger.com0tag:blogger.com,1999:blog-8015105015286671818.post-74710405000151813692015-07-22T16:45:00.000-05:002015-07-22T16:45:24.017-05:00Oh, AniThe question:<br />
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"I want to know if you can see Beauty (Betty) even when it is not pretty every day.<br />
I want to know if you can live with failure yours and mine and still shout 'yes!'<br />
It does not interest me how much money you have, I want to know if you can get up after the night of grief and despair weary and bruised to the bone to feed the children."<br />
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Her answer:<br />
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